We have taken Raga Arabhi, which is a janya of the 29th Mela Shankarabharanam. It means that every musician has the right to fix his pitch according to his convenience, voice or his mood on a particular day or time. Such artists are uncommon. Around the world, basic human expressions have remained the same. If we take raga Kalyani , we not only play Kalyani raga but a whole set of different ragas without changing the sruti or the notes of Raga Kalyani It is possible mainly because of the intervals between the notes. There are some artists who forget themselves in whatever surroundings they are in and surrender themselves to the divine. You can listen to the change in the tambura sruti whenever we come back to Raga Kalyani and to the subsequent Raga when we shift the tonic GRaha shadja.
|Date Added:||16 June 2012|
|File Size:||5.88 Mb|
|Operating Systems:||Windows NT/2000/XP/2003/2003/7/8/10 MacOS 10/X|
|Price:||Free* [*Free Regsitration Required]|
Aksharam Aksharam is a concept that has focused on rhythm or laya and used the same numerical ihdia for all the other three elements of Raga, Bhakthi and Sahitya. Shadjam Shadja is the beginning, the mother of Indian Music. If he is an instrumental playerthen the Shadja insia fixed according to the timbre and texture of the instrument. We have used expressions, the gamakas, as the basic and core idea for this production.
The violin duos Ganesh-Kumaresh present remarkable artistry and skill. Manoranjani is a garland of Ranjani Ragas, Manoranjani, Sriranjani, Janaranjani, Ranjani, Paamararanjani and Karnaranjani weave into beautiful and melodious album.
And also all its Janyas. There are some artists who forget themselves in whatever surroundings they invia in and surrender themselves to the divine. Aksharam will portray all four elements with a stress on numbers. To express, we communicate. Contrasts and confluences of all kinds have always found musical expression from earliest of times to date. Since there are 12 positions to an octave we can say a group of 12 musicians can approximately have 12 different Shadjas.
The four predominant facets of classical music are Raga, Tala, Bhakthi and Sahitya. These thoughts and ideas are presented through Ragams and Talams which are the greatest contribution of Indian music to world music. India has been home to mathematics infia yore, and classical music is based ganesh kumaresh colours of india mathematical formulae. The next shift is to the note Panchama, and we get the notes of Raga Shankarabaranam. Mannargudi Sri A Easwaran has used 6 different mridangams for the recording.
Technically this ganesh kumaresh colours of india much easier to play than the other notessince we get an open string for Shadja. A prayer for peace, harmony and happiness. This convergence is also visible in our ability to adapt and play western instruments like the violin, mandolin, saxophone, guitar and so on in a traditional carnatic music concert. Classical ragas, folk tunes, mordern rhythm combine in a heady melange of sounds both traditional and contemporary. Around the world, basic human expressions have remained the same.
lndia Such artists are uncommon. In this album they present a unique thematic offerring – Colors of India – with patriotic and deeply sensitive ideas and musical contours. You can listen to the change in the tambura sruti whenever we come back to Raga Kalyani and to the subsequent Raga when we shift the tonic GRaha shadja. Shat 6 ja giving birth to Each musician has his own Shadja which becomes the tonic graham or aadhara note for him.
While the second century text, the Natya Sahastra, renumerates the nine basic ganesh kumaresh colours of india, an attempt is made here to present our version of these through music using a heap of creativity and imagination.
Ganesh Kumaresh | Productions
If we take raga Kalyaniwe not only play Kalyani raga but a whole set of different ragas without changing the sruti or the notes of Raga Kalyani It is ganesh kumaresh colours of india mainly because of the intervals between the notes.
It’s like wearing a jibba with jeans or having idli-vadai-sambhar and pizza-noodles on the same day or may be talking Tanglish or having the wedding reception even before the marriage is solemnized.
When the intervals between the notes change a raga also changes. The Indian virtually lives from festival to festival and celebrates life as a divine gift.
Bhavam is two fold.
Music – Productions
Now we are traversing the octave of Raga Hari Kambodhi. Expression is very important in every sphere of our day to day life.
How do we do it? One is musical expression, which can generally be said as the techniques employed musically to bring out the said expression.