GANESH KUMARESH COLOURS OF INDIA FREE DOWNLOAD

GANESH KUMARESH COLOURS OF INDIA FREE DOWNLOAD

It is soothing and transports the listeners to a world full of freshness and joy and a new found feeling. Manoranjani, as the name aptly suggests this album was conceived to bring relaxation to the mind. Contrasts and confluences of all kinds have always found musical expression from earliest of times to date. Graha Bedam is a concept where, in a given raga you play a different raga without changing the sruti and the notes of the given raga. After Raga Sahana we jump to The next note Ga.

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Aksharam is a concept that has focused on rhythm or laya and used the same numerical values for all the other three elements of Raga, Bhakthi and Sahitya. Contrasts and confluences of all kinds have always found musical expression from earliest of times to date.

Colours Of India – Ganesh And Kumaresh | Shazam

The violin duos Ganesh-Kumaresh present remarkable artistry and skill. Differences in tradition, culture, ganesh kumaresh colours of india, philosophies, religion etc play a part to gaesh a unique sound to the musical expressions. Aksharam Aksharam is a concept that has kumaersh on rhythm or laya and used the same numerical values for all the other three elements of Raga, Bhakthi and Sahitya.

Technically this is much easier to play than the other notessince we get an open string for Shadja. It is a tribute to the immortal love of all time. It is based on these aspects that the core idea of every concert is built on. One thambura was not sufficient for the entire album We needed 7 different tamburas for the seven different ragas that we have played coliurs give the right sruti for each raga and also to bring out the essence of the raga that is being played.

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The next shift is to the note Panchama, and we get the notes of Raga Shankarabaranam. A prayer ganesh kumaresh colours of india peace, harmony and happiness. Since Saramati is a sampoorna — audava Raga i. All human experiences are realised through emotions called the rasas in Sanskrit.

So instead Of using the normal tambura we have used an electronoic tambura to make it easysimple and for convenience. India is a glittering tapestry of diversity and within this diversity there is something that is uniquely Indian. It’s like wearing a jibba with jeans or having idli-vadai-sambhar and pizza-noodles on the same day or may be talking Tanglish or having colouds wedding reception even before the marriage is solemnized. Here the only catch is that we cannot play bashanga ragas which are janyas of Raga Hari Kambodhi like raga Raga KamasRaga Chenjuruti etc.

You can listen to the change in the tambura sruti whenever we come back to Raga Kalyani and to the subsequent Raga when we shift the tonic GRaha shadja. In this album they present a unique thematic offerring – Colors of Kumaaresh – with patriotic od deeply sensitive ideas and musical contours.

In this modern world, expressing correctly is a sure gateway to success. Such has been the tradition for cross-culturalism here that indeed it would be difficult to ganesh kumaresh colours of india our ‘self’ without delving into the ‘other’. Dedicated by the artistes to the land of Ahimsa. This new opening also gives us the freedom to play the janya ragas or Ragas having the same notes of Raga Hari Kambodhi.

If he is an instrumental playerthen the Shadja is fixed according to the timbre and texture of the instrument.

This convergence is also visible in our ability to adapt and play western instruments like the violin, mandolin, saxophone, guitar and so on in a traditional carnatic music concert. Since there are 12 positions to an octave we can say a group ganesh kumaresh colours of india 12 musicians can approximately have 12 different Shadjas. It means that every kumarresh has the right to fix his pitch according to his convenience, voice or his mood on a particular day or time.

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We have used expressions, the gamakas, as the basic and core idea for this production. The link between tradition and modernity comes when the sampradayam of music reflects itself through the modern vision of each musician.

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Now we are traversing the octave of Raga Hari Kambodhi. When the intervals between the notes change a raga also changes.

Around the world, basic human expressions have remained the same. Manoranjani, as the name aptly suggests this album was conceived to bring relaxation to the mind. In this album, we are presenting a unique concept called the Graha Bedam. It is interesting to note how yester-year musicians composed many melodies using traditional ragas combining adeptly the kumaersh they got from listening to music from the west.

It’s also like using the electronic tampura with the traditional tampura on the same stage. Indian music like the wider cultural ethos of the or is all about assimilation, re-invention and ganesh kumaresh colours of india of diverse influences.